SUGARCULT
will release BACK TO THE DISASTER - A FILM ABOUT SUGARCULT
on November 15th. The hour and a half documentary chronicles
the history of the band, its members, and their 2004-2005
United States, UK, and European tours in support of their
'Palm Trees And Power Lines' album. A labor
of love for the band and a love letter to its fans, the film
also includes footage and band antics from their tour of Japan
with Green Day, in-depth interviews, behind the scenes footage,
live concert performances, music videos, and tour scrapbook
featuring clips from each band member's personal collection
of tour photographs. 'Back To The Disaster' is also packaged
with a live nine song performance from the Starland
Ballroom in Sayreville, NJ featuring tracks from 'Palm Trees
And Power Lines' as well as their 2001 debut 'Start Static.'
Sugarcult
doesn't play by the rules. Since the 2001 release of their
debut album, Start Static, the Santa Barbara-based
quartet has been rewriting the book on how to succeed in the
brave new world of post-millennial rock & roll.
Taking
their characteristic DIY attitude to the limit, the band brought
its case directly to the people. Crisscrossing the world for
two years nonstop and playing hundreds of shows, Sugarcult
has also hit the main stages of major festivals like Warped
in the U.S., Glastonbury, Reading & Leeds in the U.K.
and Summer Sonic in Japan. Kerrang stated that the band delivers
music "the way it should be played: loud, colourful,
larger-than-life".
The
energy and dedication Sugarcult brought to Start Static
created a massive fan base for the rock quartet around the
world, selling nearly half a million copies -- 300,000 units
in the United States alone. On their most recent release,
Palm Trees and Power Lines the plaintive edge that
lurked below the surface of singer/guitarist Tim Pagnotta's
songs is now front and center. Sugarcult is quintessentially
Californian, and the new album's 12 songs play out against
the backdrop of California's beauty and ugliness, its romance
and reality; documenting a physical and psychological journey
that begins and ends at the edge of the Pacific.
The
group took shape in 1998, starting with Pagnotta, who after
a nomadic childhood hooked up with bassist Airin and the band's
first drummer Ben Davis at City College in Santa Barbara.
Soon thereafter Sugarcult played their first gig supporting
Superdrag at a local club. This gig was also attended by Marko
72, a scenester who'd played bass with punk bands the Ataris,
the Swingin' Utters and Nerf Herder (in addition to running
a bedroom indie label, hosting a weekly radio show, working
in a record store and writing for the weekly tabloid). Tim
and Marko found they loved the same bands, from Elvis Costello
and The Clash to Nirvana and Green Day, and before long Marko
was playing guitar in the band. After gaining some notoriety
in the Central Coast music scene, the boys pointed their van
south on the 101 and began their quest to conquer the highly
competitive environs of Southern California.
Immediately
after completing Start Static, Sugarcult hit the road
as the new kids on the 2001 Warped Tour. The unknown band
went over so well that what was initially a two-week run was
extended through the entire two-month tour, and they were
back again the following summer. Thus the seeds were sown
that led Sugarcult on one tour after another - resulting in
a rabid fanbase. It's a phenomenon that has less to do with
airplay or endcaps, and more to do with the direct result
of a genuine, wholly organic buzz.
With
Palm Trees and Power Lines, Sugarcult upped the ante
with a musically and emotionally resonant album that marks
the coming of age of an important new band with something
to say and the firepower to put it across with a vengeance.
There's simply no quitting - and no compromise - with this
crew. Get used to having Sugarcult around, because they're
not about to go away. |